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| Untitled [chh] © Roseanne Lynch
nag
basement
59 Francis Street
Dublin 8, Ireland
|
Saturday, June 1, 2013
Photissima Venice
Tuesday, April 30, 2013
Upcoming Exhibitions
A Fund:It campaign has been launched to help produce a free catalogue for the festival. There are lots of rewards for helping to support the campaign, including copies of the book I mentioned above. All the information can be found here, on the Fund:It page.
Wednesday, December 19, 2012
nag Launch Exhibition
"nag represented artists tend to have a commonality in process, an obsession for detail, refined execution and finish. Whilst the artists are conceptually driven, the conventional object, in the form of drawing, painting and sculpture is valued and accessible to collector and curator."
For the exhibition my work is presented as an object. There are 2 minimalist black boxes, Document and Place, which open to reveal a collection of limited edition photographs. You can see them on the pedestals in the installation photos below.
The exhibition continues to 22nd December 2012 at nag, new art gallery, Basement, 59 Francis St, Dublin 8.
Friday, November 23, 2012
Noli Me Tangere (Touch Me Not)
I was also interested in the beauty of the objects, brass and wood and made by hand. I photographed them outside the men’s toilets where I liked the light and their beauty against the irreverent old tiles.
12"x12" unmounted fiber based silver gelatin hand prints © Roseanne Lynch, 2012
Wednesday, November 14, 2012
Noli Me Tangere
Noli Me Tangere meaning 'Touch Me Not' is an exhibition featuring the work of 14 artists from the Backwater Artists Group, including some of my own work, and is curated by Tom Dalton and David Upton.
Noli me tangere, when viewed through the lens of these artworks, creates an in-between state, bordering the surreal, conjuring associations of the supernatural and the otherworldly. This statement can simply be interpreted as a physical distance between viewer and subject while some works suggest a conceptual intangibility, where the viewer is faced with an ambiguity of intention. In positioning the work as either the threat or the threatened, an element of danger and vulnerability comes into play.
You can read more on the Wandesford Quay Gallery website. You are all very welcome to the opening reception on November 16th at 6pm. The exhibition will run Monday to Staurday from 10am- 6pm until the 1st December at the Wandesford Quay Gallery, Cork.
Friday, March 9, 2012
Hidden Meanings

'Hidden Meanings' looks at landscape in the context of culture and memory. ‘Landscape art’ has come to mean many things. In the past it was a term used to describe art that recorded and interpreted the natural environment; indeed long before the passion for landscape art was discovered in Europe it had an ancient and illustrious history amongst the literati in China.
In the global 21st century landscape itself means many things and to increasing numbers of the world’s inhabitants. It means the environment of cities, the backdrop of industry and the internalised map of a world which we carry inside our heads. Our personal landscape is often the map of underground trains, the route of our buses, the view from a car and the passageways of apartment blocks. The artists in this exhibition explore their own environments and investigate their significance on a personal and a social level.

Location of Yan Chao Gallery, Beijing
'Hidden Meanings' is open 4-6pm from today, March 9th at the Yan Chao Collection Gallery, Guomao, Beijing, China.
Thursday, December 1, 2011
Recent Exhibitions



Friday, November 18, 2011
Cork Art Trail

Saturday, November 12, 2011
Rua Red Winter Open 2011


Wednesday, November 9, 2011

Monday, October 10, 2011
Reflecting on the Guesthouse Residency
The residency at The Guesthouse was a valuable opportunity to read and to play with another way of expressing my considerations rather than through a photographic print. Through reflective practice and dialogue I spent the time considering the art piece as the event, rather than as a documentation of the event. This is the installation that you see in the photos and what I presented at the Sunday lunch.
The final image of the poetry book was a first edition of Poems by Anthony Cronin from 1957 which I found in the Guesthouse. I was very taken by the poem 'For a Father' in which he talks about how mannerisms come through in later generations. To me that is also relevant to how one piece of work leads to another, which leads to another, and the thought or concept that appears in a later piece is recognisable in some early form in the work that goes before it.
I was also joined on the Residency by Pádraig Spillane - curator, photographer, philosopher and Vadagam maker extraordinaire. I want to thank Stephen McGlynn and all at The Guesthouse for the opportunity to do this residency. I am also delighted to say that a photograph that I made in Belfast during the Belfast Photo Festival has been accepted into the Rua Red Winter Show which will run from the 12th of November to the 10th December 2011.
Saturday, October 8, 2011
Describing Architecture
If you are in Dublin this weekend you can see one of my photographs in Describing Architecture at the Daylight Gallery, No. 4 Capel St., Dublin 1. The exhibition is run by the Architectural Association of Ireland and is on for this weekend only as part of Open House Dublin 2011. The exhibition runs from Friday 7th - Sunday 9th October from 12pm - 6pm.
Wednesday, September 7, 2011
Airports for Shadows & Flypaper for Squeaks
Airports for Shadows features work that inhabits spaces that have the capacity and authority to effectively silence their surroundings.
" ... Destiny, and even God Himself, have become famous above all because they answer us with silence. " *
Airports for Shadows is how John Cage described Robert Rauschenberg's White Paintings. The following year Cage responded in 1952 with the performance experience 4'33". If the White Paintings are airports for shadows then 4'33" is flypaper to coughs, the squeaks of chairs and the hum of outside traffic **, thus demonstrating that complete silence can only be digital.
Airports for Shadows seeks to demonstrate works in the gallery space that have the capacity to quieten, if not silence the surroundings of the viewing experience. The Mark Rothko room at the Tate Modern in London has this effect as does a Japanese Zen garden.
* extracts from ' Thoughts on Dolls ' by Rilke
** See Daniel Drews essay Next to Nothing in the book published 2004 on the occasion of the exhibition Singular Forms ( Sometimes Repeated ) Art from 1951 to the Present shown at the Guggenheim Museum, New York.
Airports for Shadows is curated by Mark St. John Ellis and features Felicity Clear, Susan Connolly, Roseanne Lynch, Tom O'Dea, Pertiwi, Karen Trusselle & Mary Ruth Walsh. The exhibition previews on Friday September 9th and continues until October 1st at Cross Gallery, 59 Francis Street, Dublin 8 in association with Dublin Contemporary 2011.
Tuesday, September 6, 2011
Airport for Shadows - Cross Gallery, Dublin


Airport for Shadows is a group show curated by Mark St. John Ellis at the Cross Gallery. It opens this Friday 9th September with a reception from 6-8pm. My photograph is a site specific piece made for this show & I'm looking forward to seeing it in the context of this exhibition. I want to thank Mark St.John Ellis for inviting me to be part of this show & for being so helpful during the making of the photograph. I hope that some of you will be able to join us for the opening on Friday or call in to the Cross Gallery during the duration of the show.
Airport for Shadows opens Friday 9th 6-8pm and runs from September 10th - October 1st at the Cross Gallery 59, Francis St., Dublin 8.
Wednesday, April 27, 2011
The Artist's Space Podcast
The 1st Alliance Francaise Photography Award Exhibition continues in Alliance Francaise, Kildare St., Dublin until May 11th.
Sunday, April 10, 2011
Press Coverage of the Alliance Francaise Photography Award
I also want to thank the PhotoIreland Festival, the Irish Art Blog, Cork Analogue Photographers and the Alliance Francaise Dublin blog for writing about my win, and the Visual Artists Ireland for printing it in their bulletin.
The Alliance Francaise Photography Award Exhibition continues in the Alliance Francaise gallery, 1 Kildare St., Dublin until the 11 May.
Saturday, April 9, 2011
A Happy Reaction
(photo by Margaret Brown)"The panel found the work of Roseanne Lynch to be visually intriguing, formally dynamic and beautifully constructed."You can see the surprise and delight on my face at hearing my name announced as the 1st Alliance Francaise Photography Award Laureate in the fabulous photo above. It was all a complete blur at the time so its nice to be able to look back at this photo and read what the jury said about my work.
Monday, April 4, 2011
An unexpected win - 1st Alliance Francaise Photography Award
Initially a reason for applying was to have my work seen by the esteemed judges, and I was hoping to get to the final four to be part of the exhibition at Alliance Francaise but I had not seen past that to actually winning the award! I really just wanted to have my work seen, so this was a huge & wonderful surprise.
The prize is a 2 week residency in the Centre Culturel Irlandais in Paris- flights and accommodation- a €600 grant courtesy of the Ireland Fund of France, a course in Alliance Francaise to brush up on my French before I go, and a one-to-one tutorial with Vermillion Design.
The residency at the Centre Culturel Irlandais in Paris is a very valuable part of many Irish artists' resumes. Some of the people who have spent time there include; Anthony Haughey who was one of the judges and gave me advice on the night regarding the residency - Martin Healy who did his Masters at Crawford College of Art, as I did, and whose thesis I had studied in the library - and poets Paul Durcan and Michael Coady whose work I am very fond of.
I'm beside myself with excitement to have two weeks to immerse myself in my work. I have already been researching architectural spaces to visit and make images of, and curators to visit who might be interested in my work. I hope to be able to make my visit during Paris Photo, and partake in their portfolio reviews and shows.
I dedicate my win to Maureen Connolly from Belmullet, Co Mayo, our family friend and the mother of my brother’s wife Rita, who died last month. Maureen was someone who believed in finding out what you were put on the planet to do, and in finding happiness and fulfillment in what we do and how we live. We have had great conversations over the years, especially during my residency in North Mayo and while making the 'Continuum' body of work. She encouraged me hugely and would have been so happy that I won this award.
Winning this award has been a huge achievement for me but it also makes me realise that I am not an island. Getting to this stage with my work is the result of much support and help from so many people, so I sincerely thank everyone who has had any input in my receiving this award and everyone who shares in my excitement. A huge thank you to my family and friends for their support and encouragement. Thank you to Claire Bourgeois, Marine Laniray, Francoise Brung and the staff of Alliance Francaise in Dublin for organising this exhibition. Thank you to the judges for the kind words you said about my work. And thank you for the warm congratulations from colleagues and from those who have written so generously about the win.
The 1st Alliance Francaise Award Exhibition continues in Alliance Francaise, 1 Kildare St., Dublin until 11 May.
Tuesday, March 29, 2011
1st Alliance Francaise Photography Award

As soon as I arrived back from Holland I was on the road again, this time to Dublin where I was hanging my photos for the 1st Alliance Francaise Photography Award Exhibition. I am one of four finalists for the Award, along with Joby Hickey, Doreen Kennedy and Jean Luc-Morales. The exhibition takes place in Alliance Francaise on Kildare St. in Dublin from the 30 March to the 11 May. And you are very welcome to the opening at 6.30pm on Thursday the 31st March.




















